URGH! A Music Blog


Posted in Kate Bush,Music Reviews by M on January 3, 2006

Tippi Hedren

All right, Kate: What’s with the birds?

I almost wasn’t going to continue this review of Kate Bush’s Aerial. Once I started Disc Two: A Sky of Honey, I realized something. Something bad.

“This is starting to sound a lot like The Wall.”

Oh, nasty! Pretentious double albums with needless studio meandering! But birds chirping? Listless synths? This is like Pink Floyd if The Wall was just “Mother” and “Goodbye Blue Skies”. BARF!

And those birds! Just so you know the disc you’re listening to, we get the chirping of birds, soon eerily looped to form the bird-words “A SKY. OF. HONEY!” Creepy!

Too much of this disc just happens. Five tracks go by with nothing to distinguish it. At least on Disc One we could get slishy-sloshy when Kate got splishy-sploshy. Only towards the end of “Sunset”, which previously featured some distasteful David Gilmour-esque male vocals, do things start to get interesting. Some cool jazz combo stuff floats to the surface toward the middle—and then it ends with castanets and acoustic guitar jamming? Ole!

Then ignore Kate scatting along with the birds on “Aerial Tal”. And her duet partner on “Somewhere In Between”. He sounds like Burl Ives!

And then a kid comes in to say “Goodnight, Mum” just before “Nocturn”! What the Hell?! Now I’m totally going to have to sync this up to The Wizard of Oz!

Kate Bush: “We tire of the city.”

Well, Kate, that’s only because there’s some funky kicks going down there.

But at least “Nocturn” gets groovy; the last two minutes of the song become a total jam session! If the guitars aren’t quite Phish and the harmonies aren’t quite CSNY, it at least becomes like Days of the New. “Look at the light!”

And luckily the last track of A Sky of Honey is the strongest: “Aerial” pulls out the electric guitars, crazy Kate laughter, and starts to rock! It almost makes you forget that there was no need for a second disc.

So bravo, Ms. Bush! But what’s with the birds?

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